MJ Rose's The Witch of Painted Sorrows Blog Tour with Spotlight and Q/A

I am so excited to have MJ Rose here at Paranormal and Romantic Suspense Reviews with a Spotlight and Q/A.

Thanks MJ Rose and Meryl L. Moss Media Relations, Inc. for allowing me to join your The Witch of a Painted Sorrows Blog Tour!

Please take it away, MJ Rose!

THE WITCH OF PAINTED SORROWS
By M.J. Rose

New York Times bestselling novelist M. J. Rose creates her most provocative spellbinder to date in this gothic novel, THE WITCH OF PAINTED SORROWS (Atria, March 17, 2015) set against the lavish backdrop of Belle Époque Paris.

New York socialite Sandrine Salome flees an abusive husband for her grandmother’s Paris mansion, but what she finds there is even more menacing. The house, famous for its lavish art collection and elegant salons, is closed and under renovation. Her grandmother insists it’s too dangerous to visit but Sandrine defies her– an unexplainable force is drawing her home.

There she meets Julien Duplessi, a mesmerizing architect, who introduces her to the City of Lights – its art world, forbidden occult underground, nightclubs – and to her own untapped desires.

From a mysterious fire at the Palais Garnier opera house, to a terrifying accident at the Eiffel tower and classes with Gustav Moreau at the École des Beaux-Arts, Sandrine’s experiences awaken her passions. Among the bohemians and demi-monde, Sandrine uncovers her erotic nature as a lover and painter.

Then more ominous influences threaten – her husband is tracking her down and something insidious is taking hold, changing Sandrine, altering her. She’s overcome by the spirit of La Lune, a witch, a legendary sixteenth-century courtesan, and an unsung artist in her own right, who exposes Sandrine to a darkness that could be a gift or a curse.

This is Sandrine’s “wild night of the soul,” her odyssey in the magnificent city of Paris, of art, love and witchery, and not until she resolves a tragic love story and family curse will she be free of the ghost’s possession.

Effortlessly absorbing and richly imagined, with sumptuous detail and spellbinding suspense, THE WITCH OF PAINTED SORROWS conjures the brilliance and intrigue of Belle Époque Paris and illuminates the fine line between explosive passion, and complete ruination.

M.J. Rose grew up in New York City mostly in the labyrinthine galleries of the Metropolitan Museum, the dark tunnels and lush gardens of Central Park and reading her mother's favorite books before she was allowed. She is the author of more than a dozen novels, the co-president and founding board member of International Thriller Writers and the founder of the first marketing company for authors: AuthorBuzz.com. She lives in Greenwich, Connecticut. Visit her online at MJRose.com.

The Witch of Painted Sorrows
By M.J. Rose
Atria Books; March 17, 2015
$25.00 (US)/ $29.99 (Can); 384 pages
ISBN: 978-1-4767-7806-8


Q/A

1. Why were you drawn to the 1890 period in Paris?

Belle Epoch Paris was a mélange of many different styles of art and poetry and philosophies. The old guard still ran the salons. Impressionism battled for wall space with symbolism. Cults sprang up around occultism, spiritism and inspired artists and writers. All that diversity fascinated me. I spent a long time at the Gustav Moreau museum, looking not just at his masterpieces, but examining the hundreds of sketches hidden away. I searched out art nouveau buildings and visited museums to look at the work of the Nabis whose name itself which came from the Hebrew word for “prophet,” evoked both their mysticism and determination to develop a new artistic language.

2. What inspired this book?

I was in Paris and visited an exhibition of a late sixteenth century female painter, Artemisia Gentileschi. She was a rarity and anomaly: A woman artist who succeeded despite enduring so much. While there was no suggestion she dabbled in the occult, her resilience and determination inspired me to create a woman named La Lune, a sixteenth century courtesan, the muse of a great artist who becomes a great artist herself.

While she isn’t the main character in the book, she is at its heart. It’s her descendant, Sandrine, who three hundred years later, comes to Paris and has to overcome society’s rules and mores in order to live out her passions — as a woman and an artist.

3. Art plays an important part in The Witch of Painted Sorrows — did you ever study painting?

Yes. I was six when I took my first art class. It was at the Metropolitan Museum of Art in New York City. And I’ve never stopped studying or wanting to be painter. When I visit a city the first place I go to is the museum. I am more at home looking at paintings and sculpture than doing anything including reading. Of every subject I am always drawn first to art and artists.

4. Why are you interested in the occult?

Being interested in and writing about the mystical and magical is in my blood. My great grandmother, who was French, hailed from a long line of Jewish gypsies. Grandma Berger read cards and used a crystal ball for decades to tell fortunes. She was the one who gave me a Ouija board when I was ten.

As I grew up my great grandmother’s card and crystal ball readings continued as did my interest in the paranormal and spiritual. Shortly before she died, and left me her own magical crystal ball, my great grandmother tried to save my life.

I was nineteen, and studying painting at Syracuse University. One morning Grandma Berger called my mother. In an urgent voice, she told my mother that I was going to be in a fire that afternoon and she needed to warn me.

My mother called, told me what Grandma Berger had said and asked me please, wherever I went that day, to stay near an exit.

I did. But nothing happened.

Or so I thought.

At nine that night my boyfriend, who went to Cornell, called. He sounded terribly shook up. His apartment had burned down that afternoon. He was all right, but all his clothes, books and records were destroyed.

And along with them fifteen canvases I had painted.

Through my paintings, I had indeed been in a fire.

5. Name one place in Paris that Sandrine visits that readers can visit still.

Café de Flores

Café de Flore opened its doors at 172 Boulevard Saint-Germain in 1885 and has been one of the best people-watching cafes in Paris ever since. It’s not only one of the oldest but one of the most prestigious coffeehouses in Paris. Even though it’s next door neighbor is Les Deux Magots, frequented by Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, and others, Flore is the more prestigious and less touristy of the cafés. It’s worth waiting for a table on the terrace but the art deco interior with its red seating, mahogany and mirrors transports you back in time to pre-World War II. They also serve one of the best fromage and jambon omelets that can be had in Paris.